What is the hiring committee looking for? Nothing in particular. Or, maybe, everything. It wants a strong candidate who fires imaginations and helps out with departmental business. So, how do you know if the job is a good fit for you and vice versa? How do you present who you are and what you do best? Hiring committee veterans from private and public, 4 year and 2 year colleges and universities will discuss the process of—and offer practical tips for—applying to full and part-time jobs. (Panel Participants: Judith Baumel, Kyle G. Dargan, Eva Foster, Jacqueline Jones LaMon.
This four-week series is a great way to dig deeper in your yoga practice, add clarity to your thoughts, energize your creativity and unblock your voice. Yoga Instructor Lisa Pineda and Jacqueline Jones LaMon are teaming up to offer you a new writing prompt and discussion each week.
Classes will be held February 24, March 3, 10, and 17; 5:45-6:45 p.m. Please drop me a note for more information!
Join us as we celebrate radical love of self and others with a night of poetic and theatrical remixes, re-imaginings and riffs by more than twenty poets, playwrights, and musicians sharing new work responding to traditional poetry, quotes, and writings on love.
Inspiration poems and newly developed pieces are presented side-by-side.
Ticket RSVP encouraged, but not required for entry.
National Black Writers' Conference: "The Influence of Race and Politics on Literary Narratives"--Panel Participant
Poetic Theater Productions’ 8th annual celebration of non-commercial, non-traditional love featuring poetic and theatrical remixes, re-imaginings and riffs by more than ten incredible poets and playwrights responding to traditional sonnets, love poems, and social justice speeches of the past. Inspiration poems and newly developed pieces are presented side-by-side. This year’s theme of Love, Redefined: RECLAIM explores the use of art in the act of reclaiming our land, our bodies, our voices, our spirits, our love and our joy. New work by Jacqueline Jones LaMon, Ryan F. Johnson, Yadira de la Riva, Tanaya Winder, Catherine Weingarten, Jenny Pacanowski, Everett Cox, Maurice Decaul, Ish Islam, Raquel Almazan, and more.
F220. The World Turned Upside Down: Hamilton, An American Musical. (Judith Baumel, Jacqueline Jones LaMon, Victorio Reyes, Stephen O'Connor) The smash Broadway hit Hamilton has been rightly called a game changer. Borrowing from Charles Chesnutt, Lin-Manuel Miranda uses the world turned upside down as an image for the revolution, reversal, and subversion of political and artistic norms. Here, in the capital city, which Hamilton envisioned, Martha Southgate will introduce poets, fiction writers, and playwrights who discuss what’s new and what’s old in the show—its hip-hop poetics, music/ lyric sampling, imagery, narrative, staging, and more.
Room 102B: Washington Convention Center, Level One
Our evening begins with readings and conversations from 2016 Sula's Room fellows Shahnaz Habib, Mira Jacob, Danielle Jackson and Jacqueline Jones LaMon. Readings will be followed by a short panel discussion on failure, invisibility, and tips for navigating the literary matrix.
Sponsored by Well-Read Black Girl, a Brooklyn-based book club and digital platform, and Sula's Room, a literary service organization that supports New York-based women writers of color through residencies and community-oriented programming.
Free and Open to the Public: Liberty Hall
Less is More...Or Maybe Not: Writers on Exaggeration and Understatement
Poet Jacqueline Jones LaMon (Last Seen) and novelist Andrew Lewis Conn (O, Africa!) consider the ways in which exaggeration and understatement enhance storytelling. Speaking as writers, they share the joys and hazards of pushing language, imagery and narrative to the limits. As readers, they share favorite moments in the works of others: skillful use of repetition, caricature, parody; effective use of stripped-down language, imagery that cloaks and suggests rather than tells, and more. Q&A moderated by Barnes & Noble's Stacy Leigh.
Lorca tells us that the artist is possessed by duende, a malign spirit that burns the blood like powdered glass. This panel (Oliver de la Paz, Sandra Beasley, Mahogany Brown, Jacqueline Jones LaMon, and Danielle Barnhart) asks if poets can or should summon duende at will. Is it fleeting and ephemeral, or can it be harnessed as an instrument of craft? Five poets who have written about and with duende share their experiences invoking the dark, elusive creative force. We promise fiery exchanges on this evocative subject.
Barnes & Noble Presents: A Way to Remember and to Forget: Writing as Recall and Release
It is easy to think of writers as harnessing personal experiences and putting them to work for their craft. Memory and experience, however, can prove powerful, tricky--more to be navigated or negotiated than simply used. Authors Jacqueline Jones LaMon, Hirsh Sawhney and Jonathan Corcoran share how personal recollection has enriched their writing.
So excited that one of my short plays, PLAYING THE SOUNDTRACK ON BLAST, will be performed on opening night (Wednesday, August 26th, at 6:30 p.m.) of the Conscious Artist Summit! Here are the details:
An evening of live theater and music with refreshments provided by local restaurants and breweries, the Conscious Artist Summit is a gathering for artists to drink, celebrate our successes, and engage in lively discussion around the future efforts of conscious art.
With a Special Performance of:
PLAYING THE SOUNDTRACK ON BLAST by Jacqueline Jones LaMon
Directed by Alex Mallory
Featuring: Ryan F Johnson and Annalisa Ledson
Want to join us? Click here for tix:
(Enter "artist12" for $12 tickets. It's like saying, "Jaci sent me!" :-)
"Second Acts: Creative Writing as a Second Career" --Panel, Bridgett M. Davis, Moderator
Toli Nameless (trombone/voice/percussion)
Tecla Esposito (keys/voice)
Aissa Arorryo-Hill (voice/guitar/programming)
Jacqueline Jones LaMon (poetry)
All are welcome to attend. Doors open at 4:00 p.m. No reservations are required. Free-will offering.